![]() Herzerball Kirchberg-Thening: 25-Jahr-Jubiläum Ordentlich Gefeiert![]() Dieser Dokfilm porträtiert das «rote» Hollywood: Filme von Drehbuchautoren und Regisseuren, (Ex-)Kommunisten oder Sympathisanten, die von den Untersuchungen des Komitees für unamerikanische Umtriebe betroffen waren. Dank intensiver Recherchen und zahlreichen Filmausschnitten sowie Erinnerungen von Künstlern, die auf der schwarzen Liste standen – Paul Jarrico, Ring Lardner Jr., Alfred Levitt und Abraham Polonsky –, enthüllt Red Hollywood ein weitgehend vernachlässigtes Erbe Hollywoods: Filme, die Fragen aufwarfen zu Klasse, Gender oder Rassismus oder das System hinterfragten – sei es das kapitalistische oder das Studiosystem – und zur Strafe auf die schwarze Liste gesetzt wurden. ![]() Mit der Go Los Angeles Card sparen Sie bis zu 50% bei der Führung hinter die Kulissen Hollywoods von Red Line Tours. Wählen Sie aus zahlreichen Top. Musikfans aufgepasst. Microsoft Store stellt am 31. Den Verkauf von Musik ein. Lade deine Titel herunter und lies unsere häufig gestellten Fragen für mehr Infos. Online-Shopping mit großer Auswahl im Beauty Shop. Film essayist Thom Andersen (Los Angeles Plays Itself) collaborated with film historian/theoretician Noël Burch on Red Hollywood, a documentary adaptation. Apple Unterstützt Hollywood-NachwuchsA scene from 'The Boy With Green Hair' in 'Red Hollywood.' Credit Cinema Guild may suggest the rivers of blood that flood our screens. But the red in the title of this fascinating essaylike movie refers to the home-front Communists and other American radicals — actual and accused — who once upon a Hollywood time made socially conscious movies that took on the world and its woes. These were true believers, like the fiery Abraham Polonsky who, with films like (1948), challenged reigning ideologies and at times cast pitch-black shadows over the scene to make class, race and sexual inequality all part of the big picture. Generously packed with film clips and interviews with three other prominent blacklisted names — Paul Jarrico, Ring Lardner Jr. And Alfred Levitt — “Red Hollywood” is an intellectual tour through some of American cinema’s most politically idealistic moments and some of its most pessimistic. It was directed by Thom Andersen and Noël Burch, and is something of a companion piece to a 1985 article by Mr. Andersen in which he argued that those who were blacklisted were actually doing what the House Un-American Activities Committee accused them of doing — subverting Hollywood. Andersen wryly wrote and, as he and Mr. Burch argue on screen, “It would be an injustice to those who were blacklisted to say they did nothing to deserve it.” “Red Hollywood” doesn’t delve deeply into the history of McCarthyism; to an extent it assumes its audience already knows that story and can jump right in. So, instead of the usual historical preamble, it opens with a slavering, juicy clip from “,” the delirious 1954 western starring a gun-toting Joan Crawford as a saloonkeeper with an insanely troubled personal life. Directed by Nicholas Ray, the movie was credited to the screenwriter, who may have been a front for the blacklisted. It gets thornier. After years of silence, Maddow apparently did name names. Another blacklisted screenwriter, Walter Bernstein, that Maddow’s testimony had nothing to do with politics, money or fear: “He simply could no longer stand living in the shadows.” Mr. Andersen and Mr. Burch, who have remastered and re-edited their 1996 video version of “Red Hollywood” for this iteration, register as less interested in memorializing the blacklisted as victims than in making an argument for the worth of their films.
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